Lock 'em up and throw away the key to the ballot box?

Prison. What's it for? Punishment or rehabilitation? Do convicts merely lose their liberty or are their human rights taken away too? Do we differentiate between people in for a few months for minor offences and those locked away for longer terms.

What if you happen to be inside when an election is called? If you were sentenced to time in a British jail today you'd have to be expecting to serve more than four years to still be there when the next general election happens. In Scotland the average sentence (not including life sentences for murder) is over nine months (281 days).

Today MPs voted by a margin of 234 to 22 (where the hell were the rest of them is this is so important?) to defy the European Court of Human Rights' decision that inmates should be enfranchised.

This isn't a simple issue, it's not black and white. There's a whole rainbow of shades of grey between the two extreme opinions. If you believe that convicted criminals lose their human rights and should be left to rot then it's clear cut; how can you let these people have the vote? Of course you can't.

But I think that prison is about more than punishment. Convicts lose their freedom. Massively. And so they should. But we shouldn't forget about them. One way we judge a society is by how it treats its prisoners, and it's important that however long they're sentenced for that they're prepared for what will happen when they're released. Teach them functional skills, prepare them for work, keep them busy to avoid the fall into drug use and the "university of crime." As the end of a sentence approaches and we're trying to prepare a convict for life outside again, why not let them have a vote if an election comes around? Inmates preparing to be released should be encouraged to take an interest in the society that they'll be re-joining. Let them engage by voting.

On Wednesday Eric Illsley, the MP for Barnsley Central pleaded guilty to charges of fraud relating to £14,000 worth of expense claims. He's due to be sentences in four weeks. If he gets more than 12 months the Representation of the People Act 1981 will cause him to be disqualified from parliament, his seat will be declared vacant and a by-election will be called. If he gets less than a year he doesn't have to give up his seat. How he'll represent his constituents and where he'll hold surgeries is a bit of a mystery. It's grossly hypocritical to have laws that allow MPs doing time to keep their jobs, but to stop convicts from voting them out of office.

So where do I stand on this? Well, not all prisoners should be allowed a vote, but perhaps those in open prisons preparing for release should get their place back on the electoral register, or maybe those serving less than a year. And what about prisoners on remand who are yet to face trial?

It's not easy, but sometimes being a small-l liberal means you have to support things that aren't popular.

That Fox News map of the Middle East

All over my twitter stream for the last few days have been people tweeting and re-tweeting this screen-grab of a map of the Middle East from Fox News.

Egypt is in the wrong place, it's where Iraq was when I last looked.

Everyone's getting hot and bothered about the channel's ignorance and the poor grasp of geography shown by American as the crisis in Egypt unfolds.

But it's not a new image. Do a little Googling and it soon becomes clear that the map dates back to July 2009, as these sites explain.

And just look at the picture. If it was anything to do with the current story wouldn't Egypt be one of the highlighted countries rather than Syria, Iran, Jordan and Israel?

And who's to say that it hasn't been Photoshopped? If it was a photo of a telly with the map actually on-screen I'd be much less dubious, but a clean graphic like that could easily have been tinkered with and who'd know it?

Last week I read this excellent blog post from Paul Bradshaw about verifying online content.

With some justification we're told not believe all that we read in the papers, but we should also remember that things are even easier to spoof online. As well as reading Paul's post it's worth being aware of snopes.com which is a great site for dispelling urban and internet myths, and a good way to waste hours of your time.

Driving the desk

In music radio in the UK there's a group of people who believe you can't be a real presenter and connect with the programme, really feeling the music, unless you self-op. That's not a euphemism, it means you have to push all of the buttons yourself. It's called driving the desk.

It's one of those things that can be tricky to explain, is actually quite simple, and in total contradiction of myself is really bloody hard to do well.

Most people can learn to do it adequately in a day or so. But some should never be let loose near a fader.

This man is one of those...



(via someone on Twitter who re-tweeted @ricksimmonds)

Audition for Mac: vertical zoom in multi-track view

Audition Track Headers
Originally uploaded by westy48

When I blogged last month about my first impressions of Audition for Mac I wasn't able to make it zoom vertically in the multi-track view. I accidentally discovered that this is actually quite easy. All you have to do is scroll up or down while hovering your mouse over the track headers and you'll be zooming in and out to your heart's content.

Surf's Up

All those years ago when I was training to be a Studio Manager I remember someone - probably Paul Hedges - saying how useful white noise could be for creating sound effects: waterfalls, seawash, jet engines and generally whooshy stuff like that.

I filed that piece of information away but never had the need to try it out. But now some of my students are working on an assignment where they'll need a sea wash sound effect, and this seemed like a great chance to have a go. Of course I'd need to work out how to do this before letting them loose. Here's what I did, using Adobe Audition v3.0

1: Start in the Edit view. Make a new stereo file, set sampling rate to 48kHz, channels to Stereo and bit depth to 16

2: In the Generate menu select “Noise”

Set Color to "White", Style to "Independent Channels", Intensity to around 30 and Duration to 20 seconds




3: Switch to the Spectral View and using the marquee tool select everything above 17kHz.

Press “Delete” on the keyboard to remove these high frequency sounds. This will just take away some of the fizziness.

4: Return to the waveform display and go to the effects menu. Choose Stereo Imagery and then Doppler Shifter



















5: In the presets choose Large Track. Set the radius to 250 and click OK. You've just made your first wave. These can be strung together to create the sound of the sea licking up on the shore as you enjoy a celebratory beverage.

And here's the sort of thing you'll end up with. It's not the finished article, but isn't a bad place for the students to start from and tweak a bit.

Twist Our Words

Twist Our Words from Channel 4 is a lovely little toy that let's you drag words in a fridge magnet poetry kind of way and get then turned into a video featuring a host of C4 celebrities.

There's a gallery of recently made and best Twists, and Channel 4 say they'll be putting the best ones on the telly.

What a nice way of sending a message to the one you love.

Adobe Audition for Mac OS X - first impressions

Side by side
Originally uploaded by westy48

When I bought my first Mac in November 2002 I had no trouble getting software to do what I wanted, except for editing audio.

There are plenty of sound editing programs for Mac, Bias Peak, Logic, Pro-Tools, Soundtrack, eventually even Garageband. But none did what I wanted. What I wanted was for them to be Audition. After a brief dalliance with Sadie, I was brought up editing on Cool Edit, Cool Edit Pro and eventually Audition; editing everything from straight voice reports to docu-dramas and Christmas carol concerts. Nothing else felt quite the same. I even mixed some radio packages in Final Cut Express, because it was the best tool I had at the time.

But now Adobe have released the Beta version of Audition for OS X. It's free to download from here, and will run until the first full release comes on sale. System requirements are a multi-core Intel processor, OS 10.5.7 or later, and at least 1 GB of RAM. (Although you may be able to squeeze it onto lesser systems).

This is Beta software, and not a reflection on what will finally ship. There are a few features that I like in Audition 3.0 for Windows which are missing, but Adobe may add these before releasing it for sale so I'm not too worried. Indeed, as this isn't the final version of the software I'm going to talk about what I like and a few obvious changes rather than worry about minor omissions and glitches.

If you've downloaded the beta you're likely to want to get some files into it so you can play. Audition for Mac doesn't support .ses files for multitrack sessions from the Windows program, but in 3.0 you can save sessions a .xml files which the Mac version will open nicely. I see this as a signpost from Adobe that the days of the .ses file are numbered, and in future versions of Audition for Windows I expect we'll see support for it drop too. If you haven't already, start using .xml for your multitrack sessions. It's the future. Audition's .pk files are also a bit different, being saved as .pkf files on the Mac. This isn't a big issue, but I imagine it's another peek into what might happen with future versions of Audition in Windows.

When you switch to Spectral frequency display in the Waveform view there's a small version of the wave shown at the top of the window.

This is a nice touch, and makes it a lot easier to locate the section of audio you want to work in amongst the mush of bright colours. Now that I'm teaching I find that I use this view more and more with students, and wish I'd investigated it more when I was actually working in the industry.

Back in the Multi-track view projects with video files work as expected, except that the 16:9 video in my session was displayed at the wrong aspect ratio so everyone looked tall and thin. In the Windows version this is played back properly so I'm sure it'll be fixed by the time Audition for Mac is on sale. For people using Audition as part of a video production workflow there's something new that'll make them feel right at home. Non-linear video editors tend to let you use the J, K and L keys to control playback. L plays forwards, K is stop and J plays backwards. If you press L twice the playback speed increases. It's a nice way to scrub through content and it now works in Audition too, in both the Mutlitrack and Waveform views. Adobe have also thought about Mac laptop users. In Multitrack you no-longer have to right-click and drag to move a clip, it's just click and drag. Strangely this feels perfectly normal, even though it's against years of learnt behaviour.

Clips in the multitrack view now have a title bar which shows whether you're editing the volume or pan envelope, which should help my students, and as the volume envelope has been moved down from the very top of the clip you can now use it to boost the level of sections of the clip.

Briefly, a couple of things I haven't been able to do: there seems to be no vertical zoom in the multitrack view and I can't find out how to generate tones or white noise.

So far I think this is a great release of what's already an iconic piece of software (Iconic? is that a bit OTT?). If you use Audition, but are never going to put your hands on a Mac I think it's important for you too, because if Audition is going to be truly multi-platform with files being platform-agnostic, then Audition for Windows is going to learn a lot of these new tricks too.